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Review: Чумаков, Юрий. «Стихотворная поэтика Пушкина». Print E-mail
Volume 06-07 (2003-04) - Vols. 6-7: Reviews / Рецензии
Written by Altshuller, Mark   

Чумаков, Юрий. Стихотворная поэтика Пушкина. Санкт-Петербург: Государственный пушкинский театральный центр, 1999. 432 с.

 

Я знаю Юрия Николаевича Чумакова лет тридцать пять. Уже первый услышанный мной давным-давно в далекой Вологде доклад о двух посланиях к Чаадаеву свидетельствовал об оригинальном и смелом подходе к пушкинским проблемам.

 

С тех пор я всегда с интересом слежу за его публикациями. В новой книге собраны основные работы этого известного ученого, которого В. Непомнящий недавно вполне справедливо назвал «выдающимся филологом, глубоким и блестящим знатоком Пушкина».[1]

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Review: J. Douglas Clayton. «Dimitry's Shade: A Reading of Alexander Pushkin's "Boris Godunov"» Print E-mail
Volume 06-07 (2003-04) - Vols. 6-7: Reviews / Рецензии
Written by Emerson, Caryl   

J. Douglas Clayton. Dimitry's Shade: A Reading of Alexander Pushkin's "Boris Godunov." Evanston: Northwestern University Press, 2003. xiv + 208 pp. ISBN 0810119382. Paper.

 

In this provocative new interpretation of Pushkin's most enigmatic work for the stage, Douglas Clayton makes contributions to literary history, genre studies, a domain he calls poetic or lexical semantics, and to the poet's religious-political worldview—in order of increasing vulnerability and breadth of claim. Of undisputed excellence, in this reviewer's opinion, are the opening chapters on Push kin's relation to the theater and to the dramatic genre system of European Romanticism. Chapter 2, on the “war of prefaces" waged by reformist French dramatists and especially by Victor Hugo in his 1827 forward to Cromwell, sheds much welcome light on Pushkin's sequence of unfinished, fragmentary "drafts for a preface" to Boris, which are read here almost as meditations on Hugo's concerns. It is refreshing throughout the book to have boilerplate Soviet-era misreadings refuted in such a competent way: the myth of Pushkin's passionate faith in the narod, for example, or the Marxist oversimplification of his complex working relationship with two emperors.

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Review: Ian M. Helfant. «The High Stakes of Identity: Gambling in the Life and Literature of Nineteenth-Century Russia» Print E-mail
Volume 06-07 (2003-04) - Vols. 6-7: Reviews / Рецензии
Written by Finke, Michael   

Ian M. Helfant. The High Stakes of Identity: Gambling in the Life and Literature of Nineteenth-Century Russia. Evanston: Northwestern University Press, 2002. xxv + 211 pp. 0810118637. Cloth.

 

Now that Ian Helfant's volume on gambling in nineteenth-century Russian culture has appeared, one cannot help wondering how the topic remained unaddressed by a monograph in English until this point: gambling is without question one of the master themes of Russian literature of the period. It is central to many of the liveliest episodes in the biographies and texts of its great authors, and it certainly deserves treatment alongside such others as apocalyptic thinking, suicide, holy foolishness, dueling, nihilism—we could all complete such a list, and though contents might vary somewhat, gambling is sure to be present. Helfant's book has two particular merits: his approach follows the pattern of cultural studies in ranging beyond canonical literary texts to memoirs, popular literature, anti-gambling tracts, the historical record, and what can be reconstructed of common behavioral codes among the noble class; and his interpretive framework is very sharply defined and productive. In a fairly slim study he manages to put before the reader a wide variety of material, setting familial masterpieces beside rather obscure but fascinating sources, and he applies an interpretative lens that makes this material cohere remarkably well.

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Review: Раскольников, Ф. А. «Статьи о русской литературе». Print E-mail
Volume 06-07 (2003-04) - Vols. 6-7: Reviews / Рецензии
Written by Zagidullina, Maria   

Раскольников Ф. А. Статьи о русской литературе. Москва: Вагриус, 2002. 351 с. Тираж 1000 экз.

 

Цель книги подкупает своей искренностью—дать новую интерпретацию классическим произведениям русской литературы. Такова же и цель тысяч других филологов—найти нечто новое в хорошо известном, осветить какой-нибудь темный угол классического текста. И что ж? От этого цель не становится хуже или проще. Ф.А. Раскольников собрал в своей книге два десятка статей, расположив их по трем разделам: Пушкин, Девятнадцатый век, Двадцатый век. Так бесхитростно организуется логика книги. Удалось ли автору заинтересовать читателя-филолога своими изысканиями? Во многом—да, хотя и без разочарования не обходится. Чтобы дать представление о содержании этой книги, прибегнем к краткому обзору статей.

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Review: Olga Peters Hasty. «Pushkin's Tatiana» Print E-mail
Volume 06-07 (2003-04) - Vols. 6-7: Reviews / Рецензии
Written by Clayton, J. Douglas   

Olga Peters Hasty. Pushkin's Tatiana. Madison: The University of Wisconsin Press, 1999. xv, 269 pp.

 

“Tatiana's potential-generating openness <...> leaves her particularly susceptible to partisan appropriation by her readers" (5). With this statement Olga Peters Hasty has offered an unwitting critique of her own text. After Nationalism, Sociologism, and Marxism-Leninism, we now have a new ideology appropriating Pushkin's heroine—Feminism. Hasty's thesis, derived from a comment by Diana Burgin, is that Tatiana is a poet, and Onegin her muse.

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